The effect of repetitive structure on enjoyment and altered states in uplifting trance music. 2nd International Conference on Music and Consciousness (MUSCON 2), Brighton.. 2015.
The Structure of Chord Progressions Influences Listeners’ Enjoyment and Absorptive States in EDM. 15th International Conference on Music Perception and Cognition.. 2018.
Music and Motion-Detection: A Game Prototype for Rehabilitation and Strengthening in the Elderly. IEEE International Conference on Orange Technologies (ICOT) .. 2017.
Harmonic Structure Predicts the Enjoyment of Uplifting Trance Music. Frontiers in Psychology, Cognitive Science. 7(1999). 2017.
The Effect of Repetitive Structure on Enjoyment in Uplifting Trance Music. 14th International Conference for Music Perception and Cognition (ICMPC). :280-282.. 2016.
Minimally Simple Binaural Room Modelling Using a Single Feedback Delay Network. Journal of the Audio Engineering Society.. In Press.
Perceptual evaluation of measures of spectral variance. Journal of the Acoustical Society of America. 143(6):3300–3311.. 2018.
A variable neighborhood search algorithm to generate piano fingerings for polyphonic sheet music. International Transactions in Operational Research, Special Issue on Variable Neighbourhood Search. 24(3):509–535.. 2017.
Generating Fingerings for Polyphonic Piano Music with a Tabu Search Algorithm. Mathematics and Computation in Music. 9110:149-160.. 2015.
Modeling temporal tonal relations in polyphonic music through deep networks with a novel image-based representation. The Thirty-Second AAAI Conference on Artificial Intelligence.. 2018.
Uma abordagem baseada em programação linear inteira para a geração de solos de guitarra. XLVIII Simpósio Brasileiro de Pesquisa Operacional (SBPO).. 2016.
Generating guitar solos by integer programming. Journal of the Operational Research Society. :971-985.. 2017.
Tabu Search voor de optimalisatie van muzikale fragmenten. Faculty of Applied Economics. MSc Business Engineer Management Information Systems. 2005.
Compose=Compute - Computer Generation And Classification Of Music Through Operations Research Methods. PhD Thesis, University of Antwerp. :250.. 2014.
First species counterpoint generation with VNS and vertical viewpoints. Digital Music Research Network (DMNR+8).. 2013.
Generating structured music for bagana using quality metrics based on Markov models. Expert Systems With Applications. 42 (21)(21):424–7435.. 2015.
MorpheuS: generating structured music with constrained patterns and tension. IEEE Transactions on Affective Computing. PP (In Press)(99). 2017.
Looking into the minds of Bach, Haydn and Beethoven: Classification and generation of composer-specific music.. 2014.
Composing first species counterpoint musical scores with a variable neighbourhood search algorithm. Journal of Mathematics and the Arts. 6:169-189.. 2012.
Music generation with structural constraints: an operations research approach. 30th Annual Conference of the Belgian Operational Research (OR) Society (ORBEL30). :37-39.. 2016.
Compose ≡ compute. 4OR. 13:335–336.. 2015.
Visualizing the evolution of alternative hit charts. The 18th International Society for Music Information Retrieval Conference (ISMIR) - Late Breaking Demo.. 2017.
Dance Hit Song Science. International Workshop on Music and Machine Learning.. 2013.
Generating music with an optimization algorithm using a Markov based objective function. ORBEL29, Belgian Conference on Operations Research.. 2015.
MorpheuS: Automatic music generation with recurrent pattern constraints and tension profiles. IEEE TENCON.. 2016.
A Functional Taxonomy of Music Generation Systems. ACM Computing Surveys. 50(5):30.. 2017.
A multi-modal platform for semantic music analysis: visualizing audio- and score-based tension. 11th International Conference on Semantic Computing IEEE ICSC 2017.. 2017.
Composing Fifth Species Counterpoint Music With A Variable Neighborhood Search Algorithm. Expert Systems with Applications. 40. 2013.
Classification and generation of composer-specific music using global feature models and variable neighborhood search. Computer Music Journal. 39(3):91.. 2015.
MorpheuS: constraining structure in automatic music generation. Dagstuhl seminar on Computational Music Structure Analysis.. 2016.
IMMA-Emo: A Multimodal Interface for Visualising Score- and Audio-synchronised Emotion Annotations. Audio Mostly.. 2017.
First species counterpoint generation with VNS and vertical viewpoints. Annual Conference of the Belgian Operation Research Society (ORBEL28).. 2014.
Composing counterpoint musical scores with variable neighborhood search. Annual Conference of the Belgian Operation Research Society (ORBEL26).. 2012.
Composer Classification Models for Music-Theory Building. Computational Music Analysis.. 2015.
Hit Song Prediction Based on Early Adopter Data and Audio Features. The 18th International Society for Music Information Retrieval Conference (ISMIR) - Late Breaking Demo.. 2017.
Tension ribbons: Quantifying and visualising tonal tension. Second International Conference on Technologies for Music Notation and Representation (TENOR). 2:8-18.. 2016.
Modeling Musical Context with Word2vec. First International Workshop On Deep Learning and Music. 1:11-18.. 2017.
Dance hit song prediction. Journal of New music Research. 43:302.. 2014.
FuX, an Android app that generates counterpoint. IEEE Symposium on Computational Intelligence for Creativity and Affective Computing (CICAC). :48-55.. 2013.
O.R. and music generation. OR/MS Today. 45(1). 2018.
Markov Based Quality Metrics For Generating Structured Music With Optimization Techniques. Digital Music Research Network (DMNR+9).. 2014.
Machine Learning Research that Matters for Music Creation: A Case Study. Journal of New Music Research.. In Press.