Today I gave a talk at TENOR, The Second International Conference on Technologies for Music Notation and Representation in Cambridge (UK). There were many interesting session on the latest music represenatation technologies. My presentation focused on the tonal tension model, which I have developed together with Elaine Chew, and how this is implemented in the polyphonic music generation algorithm called MorpheuS.
- aiSTROM -- A roadmap for developing a successful AI strategy
- Book chapter on Musical stylometry: Characterisation of music
- Joint internship with Sounders Music
- Meet My Lab - podcast from Euraxess
- New roadmap paper on the role of music technology for health care and well-being
- Three IJCNN papers from the AMAAI lab this year!
- Research assistant jobs in Music/Audio and AI
- Keynote at DMRN on controllable music generation
- New paper on Underwater Acoustic Communication Receiver Using Deep Belief Network
- CM-RNN: Hierarchical RNNs for structured music generation
I will be in Paris next week to give an invited seminar on the MorpheuS music generation project at l'institut de recherche et coordination accoustique/musique (IRCAM) in Paris. Read the full announcement on Ircam's website
Title: Morphing Music According to a Long-term Tension Profile and Detected Patterns
When: Wednesday 20th April, 2016 at 12h
Where: Ircam, salle Stravinsky
I'll be giving a talk on "Music generation with structural constraints: an operations research approach" at ORBEL30, the national conference of the SOGESCI-BVWB, the Belgian Operational Research (OR) Society, Member of EURO, the association of European OR Societies, and Belgian representative of IFORS (International Federation of OR Societies). The conference is hosted by the Catholic University of Leuven (UCL) at Louvain-la-Neuve on January 27th and 28th.
The magazine Vice.com reported on the research I conducted with David Martens and Kenneth Sörensen at the University of Antwerp on dance hit prediction.
"Hit songs are getting so predictable. No, literally. The recipe for what makes a pop or dance song a hit has apparently become so formulaic, a computer algorithm can predict with above-average accuracy the likelihood that a song will top the charts."
I'll be giving a seminar for PhD students at the Department of Computer Science (Research Group SCALAB) of the University Carlos III de Madrid next Friday. The topic will be on how to combine music and operations research. From their website:
Title: Music and operations research: applications in automatic generation music and dance hit prediction.
Presenter: Dorien Herremans (Queen Mary University)
My latest research on composer classification, "Composer Classification Models for Music-Theory Building", has been published in the Springer book "Computational Music Analysis", edited by David Meredith.
I'll be giving a talk on generating structured music with local search optimisation and machine learning. The seminar is organised by the Department of Computing, at Imperial College London and will take place on the 14th of October at 15:30.
Department of Computing, Imperial College London
Generating structured music with local search optimisation and machine learning
Dorien Herremans, PhD (MSCA Fellow) Queen Mary University of London
On my way through Southern California, I was invited by Prof. Robert Keller, who works on the impro-visor, to give a talk at Harvey-Mudd College in Claremont, CA on July 23rd. The topic of the talk was focused on my Mary-Curie project (MorpheuS): "An automatic composition system for structured music based on optimisation and machine learning".
While travelling through Southern California, I stopped at the University of California, San Diego (UCSD), to give a talk on generating structured music. Professor Shlomo Dubnov organized a talk for a summer school currently going on at UCSD on July 15th.
Title: From music theory to machine learning for evaluating generated music
Yesterday, the ASyMMyS workshop on Audio-Symbolic Music Similarity Modelling was held in the British Library in London. This interesting workshop, organised by Tillman Weyde and Emmanuil Benetos, served to discuss what constitutes music similarity and the current research going on in this field. Dorien Herremans was a member of the discussion panel on "Research Directions and Applications for Music Similarity" together with Emilia Gomez, Bob Sturm and Tilman which was led by Alan Marsden.
For his Master's thesis, Matteo Balliauw started working on automatically generating piano fingerings, supervised by dr. Dorien Herremans and dr. Daniel Palhazi Cuervo at the University of Antwerp. His initial work was published at MCM 2015 in London and presented by Dorien Herremans.
The program for the Fifth Biennial Mathematics and Computation in Music Conference (22-25 June 2015, QMUL) is now online at mcm2015.qmul.ac.uk/?page_id=304. I would appreciate if you could publicise the event, especially the concerts, to students and staff throughout QMUL (and beyond if appropriate).
I will present a paper written by Matteo Balliauw, Dorien Herremans, Daniel Palhazi Cuervo and Kenneth Sörensen on "Generating fingerings for polyphonic piano music with a tabu search algorithm" at MCM2015:
The Fifth Biennial International Conference on Mathematics and Computation in Music (MCM2015) will be held on 22-25 June-2015 at Queen Mary University of London in the United Kingdom. MCM is the flagship conference of the Society for Mathematics and Computation in Music, whose official publication is the Journal of Mathematics and Music.
For a recent project, I wrote a musicXML parser in java. The code is available on Bitbucket.
MusicXMLparserDH is a java musicXML parser that parses a musicXML file in Note objects with have properties such as pitch, accidental, duration, start time etc. It outputs an ArrayList that contains all of the Notes in sequence. A list of notes per time slice is also provided. The main time saver in using this library is that the note onsets are already calculated.
This year, the ANT/OR group organises the ORBEL conference. ORBEL29 is the 29th conference on Operations Research (OR), reuniting the Belgian research community on OR-related topics. ORBEL29 is about exchanging ideas and insights, by stimulating interaction and discussion. The host institution of this year's conference is the University of Antwerp. This vivid city is located on the banks of the River Scheldt, and home to one of the largest seaports in the world. The name Antwerp is synonymous with diamonds, culture, art, Rubens and fashion.
Concepts, Cognition and Computation
from 19 Jan 2015 through 23 Jan 2015
Venue: Lorentz Center@Oort, Lorentz Center for Workshops in the Sciences, Leiden, Netherlands
Christina Anagnostopoulou (Athens, Greece)
Elaine Chew (London, United Kingdom)
Elizabeth Margulis (Fayetteville, USA)
Anja Volk (Utrecht, The Netherlands)