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Filters: Author is D. Herremans [Clear All Filters]
Visualizing the evolution of alternative hit charts. The 18th International Society for Music Information Retrieval Conference (ISMIR) - Late Breaking Demo.. 2017.
Dance Hit Song Science. International Workshop on Music and Machine Learning.. 2013.
Generating music with an optimization algorithm using a Markov based objective function. ORBEL29, Belgian Conference on Operations Research.. 2015.
Modeling Musical Context with Word2vec. First International Workshop On Deep Learning and Music. 1:11-18.. 2017.
Tabu Search voor de optimalisatie van muzikale fragmenten. Faculty of Applied Economics. MSc Business Engineer Management Information Systems. 2005.
Hit Song Prediction Based on Early Adopter Data and Audio Features. The 18th International Society for Music Information Retrieval Conference (ISMIR) - Late Breaking Demo.. 2017.
Composing Fifth Species Counterpoint Music With A Variable Neighborhood Search Algorithm. Expert Systems with Applications. 40. 2013.
Classification and generation of composer-specific music using global feature models and variable neighborhood search. Computer Music Journal. 39(3):91.. 2015.
A multi-modal platform for semantic music analysis: visualizing audio- and score-based tension. 11th International Conference on Semantic Computing IEEE ICSC 2017.. 2017.
First species counterpoint generation with VNS and vertical viewpoints. Annual Conference of the Belgian Operation Research Society (ORBEL28).. 2014.
Towards emotion based music generation: A tonal tension model based on the spiral array. Proceedings of Cognitive Science (CogSci).. 2019.
Composing counterpoint musical scores with variable neighborhood search. Annual Conference of the Belgian Operation Research Society (ORBEL26).. 2012.
Music generation with structural constraints: an operations research approach. 30th Annual Conference of the Belgian Operational Research (OR) Society (ORBEL30). :37-39.. 2016.
MorpheuS: generating structured music with constrained patterns and tension. IEEE Transactions on Affective Computing. PP (In Press)(99). 2017.
MorpheuS: Automatic music generation with recurrent pattern constraints and tension profiles. IEEE TENCON.. 2016.
Dance hit song prediction. Journal of New music Research. 43:302.. 2014.
The emergence of deep learning: new opportunities for music and audio technologies. Neural Computing and Applications.. 2019.
FuX, an Android app that generates counterpoint. IEEE Symposium on Computational Intelligence for Creativity and Affective Computing (CICAC). :48-55.. 2013.
Composer Classification Models for Music-Theory Building. Computational Music Analysis.. 2015.
A Functional Taxonomy of Music Generation Systems. ACM Computing Surveys. 50(5):30.. 2017.
Markov Based Quality Metrics For Generating Structured Music With Optimization Techniques. Digital Music Research Network (DMNR+9).. 2014.
A Variable Neighborhood Search Algorithm for Composing First Species Counterpoint Musical Fragments. 2011017. 2011.
MorpheuS: constraining structure in automatic music generation. Dagstuhl seminar on Computational Music Structure Analysis.. 2016.
Compose=Compute - Computer Generation And Classification Of Music Through Operations Research Methods. PhD Thesis, University of Antwerp. :250.. 2014.
O.R. and music generation. OR/MS Today. 45(1). 2018.
First species counterpoint generation with VNS and vertical viewpoints. Digital Music Research Network (DMNR+8).. 2013.
Generating structured music for bagana using quality metrics based on Markov models. Expert Systems With Applications. 42 (21)(21):424–7435.. 2015.
IMMA-Emo: A Multimodal Interface for Visualising Score- and Audio-synchronised Emotion Annotations. Audio Mostly.. 2017.
Looking into the minds of Bach, Haydn and Beethoven: Classification and generation of composer-specific music.. 2014.
Composing first species counterpoint musical scores with a variable neighbourhood search algorithm. Journal of Mathematics and the Arts. 6:169-189.. 2012.
Tension ribbons: Quantifying and visualising tonal tension. Second International Conference on Technologies for Music Notation and Representation (TENOR). 2:8-18.. 2016.